Tony Harnell

Voice type: High Tenor
Range: (B♭1-)E♭2-B♭5
Best display of range: "Song 4 Dianne" (G2-G5)
Significant high notes:

• B♭5 ("Hard to Say Goodbye")
  
• A5 ("Electric Dancer," "Rock and Roll Away")
  
• G♯5 ("Caught Between The Tigers" (live), "Deadly Metal," "Ready To Leave," "Tell No Tales," "Tonight I'm Falling," "Forever Shine On," "Electric Dancer," "Mother Warned Me," "Rock and Roll Away," "All You Need," "No Guarantees," "A Fix...")
  
• G5 ("10,000 Lovers (In One)" (live), "Last Summer's Evil," "Everyone's a Star" (live), "Song 4 Dianne")
  
• F♯5 ("Caught Between The Tigers" (live), "Knights of the Thunder," "Last Summer's Evil," "Crazy On You," "Break The Ice," "Ready To Leave," "Seven Seas," "Everyone's A Star," "Desperate Night," "Tell No Tales," "Forever Shine On," "Learn to Love," "Take Me Down (Fallen Angel)," "Wisdom," "Electric Dancer," "Mother Warned Me," "Rain," "Purple Mountain's Majesty," "All You Need," "Indian Summer," "Firefly," "Heaven's Gone," "She Needs Me," "Everybody's Got A Secret," "I Can't Run")
  
• F5 ("Listen to Your Heart," "Electric Dancer," "Just Like God," "Perfectly," "Give Me A Sign," "My Religion," "Righteous One," "Evaporate," "Live Your Life")
  
• E5 ("Eddie," "Knights of the Thunder," "U.S.A," "Northern Lights," "Caught Between The Tigers," "Learn To Love," "Electric Dancer," "Soldier of the Light," "Song 4 Dianne," "Ready to Fly")
  
• E♭5 ("Deadly Metal," "Break The Ice," "Tor With the Hammer," "Child's Play," "Listen to Your Heart," "Desperate Night," "Tonight I'm Falling," "End of the Line," "Intuition," "Forever Shine On," "Take Me Down (Fallen Angel)," "Lionheart")
  

Significant low notes:

• E♭2 ("Unholy")
  
• F2 ("Unholy", "Love's Dying Wish")
  
• F♯2 ("Give Me A Sign," "The Day Belongs To Us," "Hide")
  
• G2 ("Song 4 Dianne")
  
• G♯2 ("Tomorrow's Yesterday," "Get a Life," "Look to See," "Crushed," "Love's Dying Wish," "Hide," "Live Your Life")
  
• A2 ("Mother Warned Me," "Somebody Told You")
  
• B♭2 ("Only the Thief (Whistles at Night)," "Give Me A Sign," "Little Voices," "Uneasy," "One Way Ride," "Unholy," "Love's Dying Wish")
  
• B2 ("Because I Love You," "Song 4 Dianne," "Suicide," "Black Shadow Symphony," "Look to See")
  

Full G#5 at 1:44? If it's not, one hell of a blend/switch!



EDIT: The one in this live version sure is full.

Sounds like it.

Not strikingly full but I could still believe it as such.



Great F#5s at 3:51 and 4:17(!) and 4:20.

Bb5 around 4:53ish! Might even touch on flat B5...Full, right?

Morning Wood?

Zamagna wrote:Morning Wood?

A constructive addition, sir!

More super-highs.

4:37 A5, 5:12 Bb5

Full?

No one cares.

Maxim wrote:No one cares.

High tenor, really? I could see him more as a standard tenor

Nah, Harnell's tessitura is ridiculously high, and the dude fries G3s. He's a high tenor.

itsagchord wrote:Nah, Harnell's tessitura is ridiculously high, and the dude fries G3s. He's a high tenor.

ThePirateKing wrote:

itsagchord wrote:Nah, Harnell's tessitura is ridiculously high, and the dude fries G3s. He's a high tenor.

Not making it up. Heard a fry C#4 in one song, too.