Roger Daltrey

Voice type: High baritone
Vocal range: C2-F♯5(-C6)
Best showcase of range: "Music Must Change" (D2-D5)

Significant high notes (Non-modal):

C6 ("Rock and Roll")
A5 ("Won't Get Fooled Again" live Newscastle '71, "Won't Get Fooled Again" live Chicago '71, "Won't Get Fooled Again" live New York '01)
G♯5 ("Water" live Aarhus '70)
G5 ("Won't Get Fooled Again", "New Song")
F5 ("Join Together", "Free Me")

Significant high notes (Full):

F♯5 ("Won't Get Fooled Again" live Pontiac Silverdome '75)
F5 ("Love Reign O'er Me", "Won't Get Fooled Again" live Seattle '76)
E5 ("Avening Annie", "Put the Money Down", "Giddy", "It's a Hard Life", "Rock and Roll", "Sea and Sand", "Relay", "I'm Free", "5.15", "Kashmir", "Won't Get Fooled Again" live Seattle '76)
E♭5 ("Love Reign O'er Me", "Say It Ain't So, Joe", "Join Together", "Proud", "(Come and) Get Your Love", "Let's See Action (Nothing Is Everything)", "Guitar and Pen", "The Real Me" alternate version)
D5 ("Baba O'Riley", "Near to Surrender", "Music Must Change", "Miracle of Love", "Free Me", "World Over", "I've Had Enough", "Lover's Storm", "I'm Free", "Walking the Dog", "Feeling", "Sally Simpson","Judas' Death", "Who Are You", "You Can't Call It Love", "Dear Love", "Everything a Heart Could Ever Want (Willow)", "One of the Boys", "Bell Boy", "Blues Man's Road", "You Put Something Better Inside of Me", "Balance on Wires", "Christmas", "Helpless Dancer", "Cut My Hair", "5.15", "Can't Wait to See the Movie", "Don't Let Go the Coat", "Slip Kid", "Getting in Tune")
C♯5 ("Times Changed", "Say It Ain't So Joe", "Mirror Mirror", "5.15", "I Am the Sea", "Don't Let the Sun Go Down on Me", "Peace At Last", "Put the Money Down", "Child of Mine", "Ready for Love", "No More Mr. Nice Guy", "The Song Is Over", "The Heart Has Its Reasons", "Perfect World", "Call Me Lightning")
C5 ("Free Me", "Love Is Coming Down", "Armenia City in the Sky", "(Come and) Get Your Love", "Before My Time Is Up", "Join Together", "Who's Gonna Walk on Water", "Everything a Heart Could Ever Want (Willow)", "New Song", "My Generation", "Had Enough", "Under a Raging Moon", "Milk Train", "Quicksilver Lightning", "Won't Get Fooled Again", "Hearts Right", "You Are Yourself", "The Dirty Jobs", "Getting in Tune", "Is It in My Head?", "Heaven on Their Minds", "Anyway, Anyhow, Anywhere", "Let's See Action (Nothing Is Everything)", "It's in You", "Did You Steal My Money?", "The Price of Love", "How Many Friends", "Dreaming from the Waist", "There Is Love", "Alone in the Night", "Sea and Sand", "Thinking", "Ready for Love", "I've Known War", "Athena", "Water" live)

Significant low notes:

C2 ("High, Low, Fast, Slow")
D2 ("Music Must Change", "Johnny Cash Medley" live)
E♭2 ("High, Low, Fast, Slow")
E2 ("Who's Gonna Walk on Water", "Mirror Door", "Take Me Home", "Child of Mine", "Johnny Cash Medley" live)
F2 ("Music Must Change")
F♯2 ("The Good's Gone", "Times Changed", "How Can You Do It Alone", "I Can See for Miles")
G2 ("Don't Wait on the Stairs", "Wheels on the Bus", "Everybody on the Bus", "Much Too Much", "Barbara Ann", "Fragments", "Big Boss Man" live New York '79)
A2 ("The Good's Gone", "It's Hard", "Wheels on the Bus", "Bitter & Twisted", "One Day", "Johnny Cash Medley" live)
B♭2 ("I Can See for Miles", "It's Not True")
B2 ("Bitter & Twisted", "Martyrs and Madmen", "Mirror Mirror", "Faith in Something Bigger", "Mack the Knife", "I'm the Face")





Best Vocal Performances
Studio:
1. Love, Reign O'er Me
2. Free Me
3. Baba O'Riley
4. Say It Ain't So, Joe
5. Love Is Coming Down
6. Bargain
7. I'm Free
8. (Come and) Get Your Love
9. Times Changed
10. Rock and Roll

Live:
1. Water (Aarhus '70)
2. Love, Reign O'er Me (Seattle '82)
3. Giving It All Away (The Old Grey Whistle Test '73)
4. Young Man Blues (Live at Leeds '70)
5. I Want It All (The Freddie Mercury Tribute Concert '92)

Those screams from "Won't Get Fooled Again", "Love Reign O'er me" are fucking ridiculous!!!

his range is b2-c4

Curiosity wrote:his range is b2-c4

Done? That's...all? Or are you trolling me?

Yeah, really small range on this guy. Just over one octave.

His range is actually like D2-E5 by the way.

The Range Index says D2-F5(-E6).

Curiosity wrote:His range is actually like D2-E5 by the way.

There's no way D2 and E5 are his limits. Especially not the E5...have you checked the WGFA and LROM screams? Ragged falsetto?

I agree, he might be able to get down to G1 on the low end and G5 in the higher range, even.

Danerage wrote:The Range Index says D2-F5(-E6).

Hmmm...F5 seems more believeable...but his screams are insane. The D2, he can go lower. He's a Standard/High baritone!
@Curiosity: Shut up and die already.

http://www.youtube.com/watch?v=SHhrZgojY1Q
7:46? Insane.

It's variously described as either a full E5 or a falsetto C6.

I hear E5, personally.

Danerage wrote:I hear is as E5, personally.

Seems rather strong to me.

ThePirateKing wrote:

Danerage wrote:I hear is as E5, personally.

Seems rather strong to me.

Sounds REALLY strained.